top of page
PRODUCTION
DESIGN
Scenic | Lighting | Sound
TWELFTH
NIGHT
THE wilson theater Montgomery Academy
SPRING MUSICAL OR CLASSICAL
Photos courtesy of Luke Lucas
Director: Scott Bowman
Lighting Designer: Christina Buckner
For the nighttime storm sequence at sea, lighting shifted between moody purples and blues and flashes of light to indicate lightning.
Twelfth Night
TWELFTH NIGHT
THE 39
STEPS
THE 39 STEPS
THE wilson theater Montgomery Academy
FALL CONTEMPORARY
Photos courtesy of Luke Lucas
Director: Scott Bowman
Scenic, Sound, & Lighting Designer:
Christina Buckner
This minimalist set was to designed to look like a rehearsal space. Spike marks were painted onto the floor and set pieces were kept minimal and painted to look like untreated, distressed wood. In contrast to the minimalist set, the show heavily relied on lighting and sound effects to recreate the feel of the 1930s Hitchcock spy thriller and boasted a final count of 129 sound cues.
The 39 Steps
SHREK JR.
THE MUSICAL
SHREK JR.THE MUSICAL
THE wilson theater Montgomery Academy
MIDDLE SCHOOL PLAY
Photos courtesy of Luke Lucas
Director: Scott Bowman
Scenic, Sound, & Lighting Designer:
Christina Buckner
The set was designed to look like a children's fairy-tale "pop-up" picture book. Foam set pieces had to be light enough to be moved by 10 year old stage-hands but also stable enough to not be damaged by young hands. The flooring needed to read as both swamp, forest, and dungeon floor under different lighting.
Shrek Jr.
CLUE: THE MUSICAL
THE wilson theater Montgomery Academy
SPRING MUSICAL
Photos courtesy of Luke Lucas
Director: Scott Bowman
Scenic and Lighting Designer: Christina Buckner
The set was inspired by the original Clue board game. Lighting was heavily used in this production to highlight each room as a separate "game space" color coded to each character.
CLUE: THE MUSICAL
Clue: The Musical
SENSE AND SENSIBILITY
SENSE AND SENSIBILITY
THE wilson theater Montgomery Academy
FALL CONTEMPORARY
Photos courtesy of Luke Lucas
Director: Scott Bowman
Scenic, Sound, & Lighting Designer:
Christina Buckner
This version of the show relied heavily on quick changes with the use of moveable "floor to ceiling" windows. The floor was painted to both resemble a formal indoor marble floor and an outdoor garden with manicured stones. Projected images placed the quick setting changes with the help of a bespoke 10'x6' faux gilded picture frame .
Sense & Sensibility
RAGNASPLO-SION
RAGNASPLOSION
THE wilson theater Montgomery Academy
MIDDLE SCHOOL PLAY
Photos courtesy of Luke Lucas
Director: Scott Bowman
Scenic, Lighting & Sound Designer:
Christina Buckner
This extremely minimalistic set was designed to reflect the "school book report" nature of the show. The main set feature was a 9'x12' Nordic "tree of life," with lighting and sound being the main methods for establishing different moods and world changes.
Ragnasplosion
PRODUCTION
RESUME
professionaL experience
The Wilson Theater
Technical Theater Director
The Montgomery Academy, Montgomery, AL
FUERZA BRUTA
Stagehand, Props, Usher
The Daryl Roth Theater, NYC, NY
teatro Enrique Lizalde
Sound and Light Board Op
Mexico City, Mexico
BLUE MAN GROUP
Props Intern
Astor Place Theater, NYC, NY
AMIOS PRODUCTIONS
Sound Designer & Sound Board Op
The Kraine Theater, NYC, NY
SKILLS & EDUCATION
lighting
Rigging, Design, Board Operation
ETC - Nomad, Element, Colorsource, Echotouch, Congo Jr.
Scenic
Design, Carpentry, Painting, Props
Sound
Design, Mixing, Editing, Board Operation
Yamaha LS9 & QL5, QLab, GoButton, Ableton Live
B.A. Theater
University of Evansville
Evansville, IN
PRODUCtion reSUME
bottom of page